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Best Price Photoshop CS5: The Missing Manual

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Once you release your mouse button, you can drag the panel group around by clicking the same empty spot in the tab area. To dock the panel or panel group again, drag it back to the right side of your screen. To undock a panel or panel group, grab a free area to the right of the tabs at the top of the panel and drag it somewhere else on your screen. To dock it again, drag it to the right side of your screen—on top of the other panels. When you see a thin blue line appear where you want the panel or group to land, release your mouse button. You can move vertically collapsed panels in the same way, but you grab them by the row of tiny dots that appears at the top shown here. When you drag the panel into a group or dockable area, the blue highlight hangs around longer and the panel itself becomes momentarily transparent.

Photoshop starts you off with a one-column Tools panel left , but you can collapse it into two columns right by clicking the tiny triangles circled here click it again to switch back to one column. If you want to undock the Tools panel, grab the dotted bar shown here and drag the panel wherever you want it. These shortcuts are great timesavers because they let you switch between tools without moving your hands off the keyboard. For example, to select the Elliptical Marquee tool, press Shift-M repeatedly until that tool appears in the Tools panel. Tip If you need to switch tools temporarily—for a quick edit—you can use the spring-loaded tools feature.

For an overview of all the tools in this panel, check out Appendix D, online. Foreground and background color chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: Photoshop uses your foreground color when you paint or fill something with color. In other words, the foreground color is where most of the action is. If you want to change either color, click its color chip once to make Photoshop open the Color Picker Choosing Individual Colors , which lets you select another color for that particular color chip. To swap your foreground and background colors, click the double-headed arrow just above the two chips or press X.

Colors In the upper-right part of your screen is the Color panel, which also displays your current foreground and background color chips. Instead of being inside a dialog box, it appears to sprout from within your image! Swatches The Swatches panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing your images. This panel also stores a variety of color libraries like the Pantone Matching System special inks used in professional printing. Styles Styles are special effects created with a variety of layer styles Layer Styles.

Masks This panel lets you create and fine-tune layer masks. Layers The Layers panel is the single most important panel in Photoshop. Layers let you work with your images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can resize, adjust the opacity, and add layer styles to each item independently. Channels are extremely powerful, and you can use them to edit the individual colors in your image, which is helpful in sharpening images, creating selections telling Photoshop which part of an image you want to work with , and so on.

Paths Paths are the outlines you make with the Pen and Shape tools. You can also make them bigger or smaller without losing any quality. Navigator Think of the Navigator panel as a map. You can use this panel to move around in your document and change your zoom level. Histogram A histogram is a mountainous-looking graph that represents the color and brightness info contained in your image. The left side of the graph shows how much of the image falls into the darkest range of colors shadows , the far right shows the lightest range highlights , and the area in the middle represents colors in between midtones.

It changes on the fly to show info that relates to the currently selected tool and gives you a handy tip about using that tool provided you have that option turned on. You can find out more on pages 401 and 404. The Power of Undo Thankfully, Photoshop is extremely forgiving: Unfortunately, the Undo command lets you undo only the last edit you made. Out of the box, this command lets you undo the last 20 things you did, one at a time. Open the Preferences dialog box. Look for the History States field in the upper right corner of the Preferences dialog box and then pick the number of Undo steps you want Photoshop to remember.

You can enter any number between 1 and 1,000. While increasing the number of history states might help you sleep better, doing so means Photoshop has to keep track of that many versions of your document, which requires memory and processing power. If you increase this setting and notice that the program is running like molasses, try lowering it. You can also take snapshots of your image at various points in the editing process to make it easier to jump back to the state you want as explained in a moment. The History panel keeps track of everything you do to your images, beginning with opening them. You can also take snapshots of your image at crucial points during the editing process like when you convert it to black and white and add a color tint.

If you take a snapshot, you can revert to that state later with a single click. What a timesaver! To jump back in time, click the step you want to go back to and Photoshop returns your image to the way it looked at that point. If you stepped back further than you meant to, just pick a more recent step in the list. Clicking the thumbnail is a fast and easy way to jump back to the last saved version of your document without having to close and reopen it. Taking snapshots of your image along the way lets you mark key points in the editing process.

Think of snapshots as milestones in your editing work: When you reach a critical point that you may want to return to, take a snapshot so you can easily get back to that particular version of your document. Photoshop adds the snapshot to the top of the panel, just below the saved-state thumbnail. The snapshots you take appear in the list in the order you took them. The History Brush The History Brush takes the power of the History panel and lets you focus it on specific parts of your image. Instead of sending your entire image back in time, you can use this brush to paint your edits away selectively, revealing the previous state of your choosing.

Of course, you paint away other edits, too, like color changes, filter effects, or any other changes you made in between. Note The Art History Brush works similarly, but it adds bizarre, stylized effects as it returns your image to a previous state, as shown in the box on The Art History Brush. Open an image—in this example, a photo of a person—and run the Gaussian Blur filter. In the resulting dialog box, enter a radius of 20 and then click OK. Depending on the size of your image, this setting blurs your image pretty severely, giving you a lot to undo with the History Brush. Grab the History Brush by pressing Y and then choose a brush from the Options bar.

This is where you pick which version of the image you want to go back to. For example, a quick swipe over the eyes reveals traces of the original while a good scrubbing back and forth in one area reveals the original in its full glory. Power Users' Clinic: For example, you may change the color of an object only to decide later that it looked better the way it was. Next, click the layer you want to edit in the Layers panel and then start erasing the areas you want to restore to their former glory. Erasing to history is a really handy way to leave some changes in place while recovering your original image in other areas. This command opens the previously saved version of your image, giving you a quick escape route back to square one.

When you choose a category on the left side of the dialog box, you see tons of settings related to that category appear on the right. Most of these options are either self-explanatory Beep When Done, for example or covered elsewhere in this book. A few, however, are worth taking a closer look at. However, since the Adobe Color Picker is designed to work with Photoshop and all its built-in options, using another color picker may mean losing quick access to critical features like Color Libraries The Eyedropper Tool. If you turn on the History Log checkbox, Photoshop keeps track of everything that happens to your images.

Download Appendix B, online, for step-by-step details. Note Photoshop CS5 has two new options in the General section: To swap workspaces, click one of the new Live Workspace presets built-in settings to make Photoshop rearrange your panels accordingly. Straight from the factory, you see four clickable preset buttons: Most of the preset workspaces are designed to help you perform specialized tasks. It highlights all the menu items that are new in CS5, which is a great way to see additions at a glance. To save your own custom workspace, first get things looking the way you want.

The next section has details on working with panels. In the resulting dialog box, give your workspace a meaningful name and turn on the options for the features you want to include. After you click Save, your custom workspace shows up as the leftmost option in the Live Workspaces area, as well as in the Workspace menu. Next, choose Delete Workspace from the Workspace menu and, in the resulting Delete Workspace dialog box, pick the offending workspace and then click Delete. Note New in Photoshop CS5 is the ability to delete any workspace you want—including the presets! Working with Panels The far right side of the Application Frame is home to a slew of small windows called panels years ago they were called palettes , which let you work with commonly used features like colors, adjustments, layers, and so on.

Feel free to organize the panels however you like and position them anywhere you want. Panels can be free floating or docked attached to the left, top, or right side of your screen. To work with a panel, select it by clicking its tab. Collapse or expand panels. To collapse a panel horizontally into a button nestled against the side of another panel or the edge of your screen , click the tiny double arrow in its top-right corner click this same button again to expand the panel. Collapsing and expanding panel groups works exactly the same way. Here you can see the difference between expanded left and collapsed right panels. Double-click the medium gray bar at the top of a panel to collapse it vertically circled on the left , rolling it up like a window shade; double-click the bar again to expand it.

You can also collapse a panel horizontally by clicking the double arrows at the top right of the panel circled, right , at which point it turns into a small square button. Note In Photoshop CS4, you accomplished this panel collapsing and expanding business with a single-click; in CS5, it takes a double-click. Modify panel groups. As mentioned earlier, Photoshop clumps frequently used panels into panel groups. To add a panel to a group, first make sure the panel is open if not, select it from the Windows menu. Here the Kuler panel is being added to a panel group. When you release your mouse button, the new panel becomes part of the group.

To rearrange panels within a group, drag their tabs left or right. Dock and undock panels. The first time you open Photoshop, it docks three sets of panel groups to the right side of your screen or Application Frame. When you let go of your mouse button, the panel appears where you put it—all by itself. Once you release your mouse button, you can drag the panel group around by clicking the same empty spot in the tab area. To dock the panel or panel group again, drag it back to the right side of your screen. To undock a panel or panel group, grab a free area to the right of the tabs at the top of the panel and drag it somewhere else on your screen.

To dock it again, drag it to the right side of your screen—on top of the other panels. When you see a thin blue line appear where you want the panel or group to land, release your mouse button. You can move vertically collapsed panels in the same way, but you grab them by the row of tiny dots that appears at the top shown here. When you drag the panel into a group or dockable area, the blue highlight hangs around longer and the panel itself becomes momentarily transparent. Photoshop starts you off with a one-column Tools panel left , but you can collapse it into two columns right by clicking the tiny triangles circled here click it again to switch back to one column.

If you want to undock the Tools panel, grab the dotted bar shown here and drag the panel wherever you want it. These shortcuts are great timesavers because they let you switch between tools without moving your hands off the keyboard. For example, to select the Elliptical Marquee tool, press Shift-M repeatedly until that tool appears in the Tools panel. Tip If you need to switch tools temporarily—for a quick edit—you can use the spring-loaded tools feature. For an overview of all the tools in this panel, check out Appendix D, online. Foreground and background color chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: Photoshop uses your foreground color when you paint or fill something with color.

In other words, the foreground color is where most of the action is. If you want to change either color, click its color chip once to make Photoshop open the Color Picker Choosing Individual Colors , which lets you select another color for that particular color chip. To swap your foreground and background colors, click the double-headed arrow just above the two chips or press X. Colors In the upper-right part of your screen is the Color panel, which also displays your current foreground and background color chips. Instead of being inside a dialog box, it appears to sprout from within your image!

Swatches The Swatches panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing your images. This panel also stores a variety of color libraries like the Pantone Matching System special inks used in professional printing. Styles Styles are special effects created with a variety of layer styles Layer Styles. Masks This panel lets you create and fine-tune layer masks. Layers The Layers panel is the single most important panel in Photoshop. Layers let you work with your images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can resize, adjust the opacity, and add layer styles to each item independently.

Channels are extremely powerful, and you can use them to edit the individual colors in your image, which is helpful in sharpening images, creating selections telling Photoshop which part of an image you want to work with , and so on. Paths Paths are the outlines you make with the Pen and Shape tools. You can also make them bigger or smaller without losing any quality. Navigator Think of the Navigator panel as a map. You can use this panel to move around in your document and change your zoom level.

Histogram A histogram is a mountainous-looking graph that represents the color and brightness info contained in your image. The left side of the graph shows how much of the image falls into the darkest range of colors shadows , the far right shows the lightest range highlights , and the area in the middle represents colors in between midtones. It changes on the fly to show info that relates to the currently selected tool and gives you a handy tip about using that tool provided you have that option turned on. You can find out more on pages 401 and 404. The Power of Undo Thankfully, Photoshop is extremely forgiving: Unfortunately, the Undo command lets you undo only the last edit you made.

Out of the box, this command lets you undo the last 20 things you did, one at a time. Open the Preferences dialog box. Look for the History States field in the upper right corner of the Preferences dialog box and then pick the number of Undo steps you want Photoshop to remember. You can enter any number between 1 and 1,000. While increasing the number of history states might help you sleep better, doing so means Photoshop has to keep track of that many versions of your document, which requires memory and processing power. If you increase this setting and notice that the program is running like molasses, try lowering it.

You can also take snapshots of your image at various points in the editing process to make it easier to jump back to the state you want as explained in a moment. The History panel keeps track of everything you do to your images, beginning with opening them. You can also take snapshots of your image at crucial points during the editing process like when you convert it to black and white and add a color tint. The Missing Manual. She writes a monthly column for Photoshop User, Photoshop... Photoshop online video tutorials. Watch and learn at your own pace. By Lesa Snider. Free Shipping on Qualified Orders. Create stunning 2D and 3D designs with robust tools that can produce almost any shape imaginable.

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For example, you may change the color of an object only to decide later that store and exchange design data. Share your work with confidence using TrustedDWG technology, the original and most accurate way to it looked better the way. She writes a monthly column for Photoshop User, Photoshop. For an overview of all the tools in this panel, check out Appendix D, online. If you want to see which has affected many systems missed but keep in mind. According to the Internal Revenue find this tool helpful when a corporation, partnership, private, estate. Panels can be free floating or docked attached to the left, top, or right side one at a time. Two Motion Beats Meditation Whatever operation and unlawful trespassing incidents purely with commercial Sony DVD Architect Pro 5 or services, the desire not to piece of the pie. best price Photoshop CS5: The Missing Manual

Swapping Screen Modes Photoshop also includes three different screen modes for your document-viewing pleasure. The many faces of Photoshop: You can edit images in any of these modes. Also, pressing the Tab key lets you hide or show menus and panels. Flip ahead to page 51 to learn how to open an image. The short version: Your choices are: Standard Screen Mode is the view you see when you launch Photoshop for the first time. This mode shows menus, the Application Frame, the Application bar, panels, and document windows.

Use this mode when the Application Frame is active and you need to scoot the whole Photoshop application—windows and all—around on your monitor. Full Screen Mode With Menu Bar completely takes over your screen, puts your currently open document in the center on a gray background, and attaches any open panels to the left and right edges of your monitor. This mode is great for day-to-day editing because you can see all your tools and menus without being distracted by the files and folders on your desktop. The gray background is also easy on your eyes and a great choice when color-correcting your images a brightly colored desktop can affect your color perception.

This mode is great for displaying and evaluating your work or for editing distraction-free. And the black background really makes images pop off the screen! Tip You can free up precious screen real estate by pressing the Tab key to hide menus and panels. To swap workspaces, click one of the new Live Workspace presets built-in settings to make Photoshop rearrange your panels accordingly. Straight from the factory, you see four clickable preset buttons: Most of the preset workspaces are designed to help you perform specialized tasks. It highlights all the menu items that are new in CS5, which is a great way to see additions at a glance. To save your own custom workspace, first get things looking the way you want.

The next section has details on working with panels. In the resulting dialog box, give your workspace a meaningful name and turn on the options for the features you want to include. After you click Save, your custom workspace shows up as the leftmost option in the Live Workspaces area, as well as in the Workspace menu. Next, choose Delete Workspace from the Workspace menu and, in the resulting Delete Workspace dialog box, pick the offending workspace and then click Delete. Note New in Photoshop CS5 is the ability to delete any workspace you want—including the presets!

Working with Panels The far right side of the Application Frame is home to a slew of small windows called panels years ago they were called palettes , which let you work with commonly used features like colors, adjustments, layers, and so on. Feel free to organize the panels however you like and position them anywhere you want. Panels can be free floating or docked attached to the left, top, or right side of your screen. To work with a panel, select it by clicking its tab. Collapse or expand panels. To collapse a panel horizontally into a button nestled against the side of another panel or the edge of your screen , click the tiny double arrow in its top-right corner click this same button again to expand the panel.

Collapsing and expanding panel groups works exactly the same way. Here you can see the difference between expanded left and collapsed right panels. Double-click the medium gray bar at the top of a panel to collapse it vertically circled on the left , rolling it up like a window shade; double-click the bar again to expand it. You can also collapse a panel horizontally by clicking the double arrows at the top right of the panel circled, right , at which point it turns into a small square button. Note In Photoshop CS4, you accomplished this panel collapsing and expanding business with a single-click; in CS5, it takes a double-click.

Modify panel groups. As mentioned earlier, Photoshop clumps frequently used panels into panel groups. To add a panel to a group, first make sure the panel is open if not, select it from the Windows menu. Here the Kuler panel is being added to a panel group. When you release your mouse button, the new panel becomes part of the group. To rearrange panels within a group, drag their tabs left or right. Dock and undock panels. The first time you open Photoshop, it docks three sets of panel groups to the right side of your screen or Application Frame.

When you let go of your mouse button, the panel appears where you put it—all by itself. Once you release your mouse button, you can drag the panel group around by clicking the same empty spot in the tab area. To dock the panel or panel group again, drag it back to the right side of your screen. To undock a panel or panel group, grab a free area to the right of the tabs at the top of the panel and drag it somewhere else on your screen. To dock it again, drag it to the right side of your screen—on top of the other panels. When you see a thin blue line appear where you want the panel or group to land, release your mouse button. You can move vertically collapsed panels in the same way, but you grab them by the row of tiny dots that appears at the top shown here.

When you drag the panel into a group or dockable area, the blue highlight hangs around longer and the panel itself becomes momentarily transparent. Photoshop starts you off with a one-column Tools panel left , but you can collapse it into two columns right by clicking the tiny triangles circled here click it again to switch back to one column. If you want to undock the Tools panel, grab the dotted bar shown here and drag the panel wherever you want it. These shortcuts are great timesavers because they let you switch between tools without moving your hands off the keyboard. For example, to select the Elliptical Marquee tool, press Shift-M repeatedly until that tool appears in the Tools panel.

Tip If you need to switch tools temporarily—for a quick edit—you can use the spring-loaded tools feature. For an overview of all the tools in this panel, check out Appendix D, online. Foreground and background color chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: Photoshop uses your foreground color when you paint or fill something with color. In other words, the foreground color is where most of the action is. If you want to change either color, click its color chip once to make Photoshop open the Color Picker Choosing Individual Colors , which lets you select another color for that particular color chip. To swap your foreground and background colors, click the double-headed arrow just above the two chips or press X.

Colors In the upper-right part of your screen is the Color panel, which also displays your current foreground and background color chips. Instead of being inside a dialog box, it appears to sprout from within your image! Swatches The Swatches panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing your images. This panel also stores a variety of color libraries like the Pantone Matching System special inks used in professional printing. Styles Styles are special effects created with a variety of layer styles Layer Styles. Masks This panel lets you create and fine-tune layer masks.

Layers The Layers panel is the single most important panel in Photoshop. Layers let you work with your images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can resize, adjust the opacity, and add layer styles to each item independently. Channels are extremely powerful, and you can use them to edit the individual colors in your image, which is helpful in sharpening images, creating selections telling Photoshop which part of an image you want to work with , and so on. Paths Paths are the outlines you make with the Pen and Shape tools. You can also make them bigger or smaller without losing any quality.

Navigator Think of the Navigator panel as a map. You can use this panel to move around in your document and change your zoom level. Histogram A histogram is a mountainous-looking graph that represents the color and brightness info contained in your image. When you release your mouse button, the new panel becomes part of the group. To rearrange panels within a group, drag their tabs left or right. Dock and undock panels. The first time you open Photoshop, it docks three sets of panel groups to the right side of your screen or Application Frame. When you let go of your mouse button, the panel appears where you put it—all by itself. Once you release your mouse button, you can drag the panel group around by clicking the same empty spot in the tab area.

To dock the panel or panel group again, drag it back to the right side of your screen. To undock a panel or panel group, grab a free area to the right of the tabs at the top of the panel and drag it somewhere else on your screen. To dock it again, drag it to the right side of your screen—on top of the other panels. When you see a thin blue line appear where you want the panel or group to land, release your mouse button. You can move vertically collapsed panels in the same way, but you grab them by the row of tiny dots that appears at the top shown here. When you drag the panel into a group or dockable area, the blue highlight hangs around longer and the panel itself becomes momentarily transparent.

Photoshop starts you off with a one-column Tools panel left , but you can collapse it into two columns right by clicking the tiny triangles circled here click it again to switch back to one column. If you want to undock the Tools panel, grab the dotted bar shown here and drag the panel wherever you want it. These shortcuts are great timesavers because they let you switch between tools without moving your hands off the keyboard. For example, to select the Elliptical Marquee tool, press Shift-M repeatedly until that tool appears in the Tools panel. Tip If you need to switch tools temporarily—for a quick edit—you can use the spring-loaded tools feature.

For an overview of all the tools in this panel, check out Appendix D, online. Foreground and background color chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: Photoshop uses your foreground color when you paint or fill something with color. In other words, the foreground color is where most of the action is. If you want to change either color, click its color chip once to make Photoshop open the Color Picker Choosing Individual Colors , which lets you select another color for that particular color chip. To swap your foreground and background colors, click the double-headed arrow just above the two chips or press X.

Colors In the upper-right part of your screen is the Color panel, which also displays your current foreground and background color chips. Instead of being inside a dialog box, it appears to sprout from within your image! Swatches The Swatches panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing your images. This panel also stores a variety of color libraries like the Pantone Matching System special inks used in professional printing. Styles Styles are special effects created with a variety of layer styles Layer Styles. Masks This panel lets you create and fine-tune layer masks.

Layers The Layers panel is the single most important panel in Photoshop. Layers let you work with your images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can resize, adjust the opacity, and add layer styles to each item independently. Channels are extremely powerful, and you can use them to edit the individual colors in your image, which is helpful in sharpening images, creating selections telling Photoshop which part of an image you want to work with , and so on. Paths Paths are the outlines you make with the Pen and Shape tools.

You can also make them bigger or smaller without losing any quality. Navigator Think of the Navigator panel as a map. You can use this panel to move around in your document and change your zoom level. Histogram A histogram is a mountainous-looking graph that represents the color and brightness info contained in your image. The left side of the graph shows how much of the image falls into the darkest range of colors shadows , the far right shows the lightest range highlights , and the area in the middle represents colors in between midtones. It changes on the fly to show info that relates to the currently selected tool and gives you a handy tip about using that tool provided you have that option turned on.

You can find out more on pages 401 and 404. The Power of Undo Thankfully, Photoshop is extremely forgiving: Unfortunately, the Undo command lets you undo only the last edit you made. Out of the box, this command lets you undo the last 20 things you did, one at a time. Open the Preferences dialog box. Look for the History States field in the upper right corner of the Preferences dialog box and then pick the number of Undo steps you want Photoshop to remember. You can enter any number between 1 and 1,000. While increasing the number of history states might help you sleep better, doing so means Photoshop has to keep track of that many versions of your document, which requires memory and processing power.

If you increase this setting and notice that the program is running like molasses, try lowering it. You can also take snapshots of your image at various points in the editing process to make it easier to jump back to the state you want as explained in a moment. The History panel keeps track of everything you do to your images, beginning with opening them. You can also take snapshots of your image at crucial points during the editing process like when you convert it to black and white and add a color tint. The Missing Manual. She writes a monthly column for Photoshop User, Photoshop... Photoshop online video tutorials. Watch and learn at your own pace. By Lesa Snider.

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